- Medium shot of the protagonist as she is logging off of her computer.
- Another medium shot of the main character as she packs up her belongings from her desk.
- Close up of her lanyard as the protagonist looks at it for a while and then places it in her box.
- Medium close up of the protagonist's draw as she locks it, shot through her desk chair in order to add some artistic flare to the shot.
- Establishing shot of the now empty office, the camera tracks along the length of the desk.
- Shot of a mirror and in the reflection we can see the main character carrying her box of belongings out of the building.
- Medium shot into long shot as the protagonist leaves the building again, this time shot from directly behind her as she walks away from camera.
- Close up of the Kent Police sign in order to show where she has just left from and where she used to work.
- Long shot from outside of the protagonist leaving the building in order to create a match-on-action in the edited trailer.
- Another long shot of the protagonist walking towards the camera, it is shot as a point of view as it is meant to represent the antagonist peering around the corner and watching the protagonist.
- High angle shot of the protagonist walking by, again designed to be a point of view and is shot from up high.
- The antagonist jumps out from behind a wall and grabs the protagonist, he covers her mouth and starts to drag her away, it is shot in a medium shot.
- Longshot of antagonist struggling to drag the main character towards the boot of his car, he opens the boot and then puts her in. The car is in the centre of the frame and is shot from down the alley way where our protagonist was just walking.
- Another longshot of the antagonist struggling to take our main character to the boot of his car, the same thing happens in this shot and the last shot, but it is filmed from a different position. The camera is placed where the antagonist was waiting behind the wall but still keeps the car in the centre of the frame.
- High angle shot from the balcony that one of the previous clips was shot from. We see the car that our protagonist has just been put in driving away, the black bars from the balcony can be seen in the shot to give the sense of being trapped and imprisoned.
- Extreme long shot of our main character running towards camera after running around a corner, it is meant to be her trying to escape from the antagonist.
- Then, we filmed a medium shot of Jess, our main character, banging on someone's gate and trying to get in so that she can get away from and be safe from the antagonist that is out to get her.
- Close up of a gun as the magazine is being loaded into it by the antagonist.
- Another close up, but shot from the other side of the gun, as the antagonist pulls back on the barrel of the gun so that it is ready to fire.
- Close up of the gun from the side as it fires to show the recoil and have some effects to make it look real in the edit.
- Over the shoulder shot of the antagonist as he is shooting at the protagonist, Jess, who can be seen running away in the background.
- The same over the shoulder shot as before with the antagonist shooting at Jess, but this time the antagonist is walking and shoot and the camera is following him and trying to keep the same framing on the antagonist, by following him it makes the shot more intense.
- Medium shot of Jess disarming the antagonist as he points a gun at her, she grabs it o0ut of his hand, knees him in the lower torso and then throws the gun away.
- Close up of Jess as she falls into frame and onto the fall its meant to be as if she has been punched or shot and she is down on the ground.
- Low angle longshot of Jess walking across a bridge in London.
- High angle filmed from the bridge of Jess waiting by the riving bank, looking around at the sights and taking in the scenery, as if it is just a normal day.
- Establishing shot from the river bank of a boat going by and the bridge in the background, this should set the scene that it is in London and help to establish location.
-Medium shot through a slightly open door of a figure walking towards camera, the shot ends in a big close up of the antagonist's face.
-Low angle close up of protagonist as she is breathing heavily and crying.
-Close up of a gun, the camera arcs around the gun to reveal that it is pointing at the protagonist, the camera stays in the right of the frame.
-Camera tilts up in a POV shot and we see the antagonist pointing the gun at the camera.
-Camera tilts up in a POV shot and we see the antagonist pointing the gun at the camera but this time he hits the camera with the gun as if it was the protagonists and the camera whip pans away.
-Low angle medium shot of Protagonist from the side as she cocks the gun and then holds it out in front of her and shoots.
-Medium longshot from inside an old building, filming through the door as the protagonist walks by.
-Extremely shaky tracking shot of protagonist running, filmed as if it is POV of someone running alongside her.
-Protagonist waiting at the train station for a train into London, filmed in a longshot from the other platform with the subject slightly off centre.
-Establishing shot down the tracks with some of the station in, to represent that she has already left on the train and gone to London.
-Close up of a puddle as we see the protagonist foot stepping in the puddle as she walks through the puddle.
-Over the shoulder (OTS) of the antagonist as he walks towards the protagonist and the camera follows him. He grabs her next and slams her into a garage door and the camera moves round slightly to get more of the protagonist's face in but it is still an OTS.
-Medium shot of the protagonist sitting on the ground up against a garage door as the antagonist grabs her hair and slams her head into the garage door.
END
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